陈天送（林家栋 饰）出生在一个贫困的家庭之中，出租却偏偏爱上了千金大小姐高诗琴，出租两人的地位和身份悬殊是如此的巨大，注定了他们的感情不会受到祝福，亦不会有所结果。最终，两人分道扬镳，在陈天送的心中留下了深深的遗憾和阴影，他只能借着制作风筝来纪念这段逝去的爱情。某日，陈天送遇见了名为高曼华的美丽女子，让陈天送感到十分意外的是，高曼华竟然有着和高诗琴一模一样的样貌，这让陈天送无法自持的靠近她，但在内心中又充满了深深的抗拒和纠葛。高曼华来到吉兰丹，为的是寻找曾经伤害过母亲的男人，而她的母亲不是别人，正是高诗琴。
回复 :Preparing for her wedding, Kübra gets possessed by unknown livings. To cure Kübra, a psychiatrist, Ebru, gets on way. Ebru is also an old friend of Kübra. Ebru would work together with an exorcist to save Kübra. Just when things seemed to be going well, everything start going horribly wrong.
回复 :‘This is not science fiction’, says a commercial inviting young people to join the US Air Force. Indeed it is anything but a utopian vision when drones targeting humans in Afghanistan and other countries are operated from a safe distance. National Bird describes the dramatic experiences of three former Air Force analysts who have decided to break their silence about the secret deployment of these combat drones. Haunted by the realisation that they might have been responsible for the death of innocent victims, they are going public with their knowledge – regardless of the possible consequences. These three war veterans all signed up voluntarily for military service – either out of a sense of idealism, hardship or a feeling of duty. But all that changed as a result of the drone programme.National Bird provides insights into the US drone programme as seen through the eyes of veterans and survivors whose stories are connected. At the same time the film asks whether it is possible for a world to exist other than one in which violence breeds violence. berlinale 2016
回复 :该片由著名摄影师和纪录片导演焦波担任总导演，此前他的《俺爹俺娘》和《亲吻春天——俺和俺的地震孤儿》系列曾在中国社会引起巨大反响，尤其是《俺爹俺娘》系列曾感动了无数儿女。这一次《乡村里的中国》焦波仍然把镜头对准了其老家——山东淄博，不过拍的不再是自己出生的村庄，而是沂蒙山革命老区沂源县杓峪村。影片以一个小村庄为切入点，展现了中国农村的巨大变迁、环境保护、农民的精神追求和物质追求等诸多社会现实话题，既生动有趣，又深刻感人。焦波在接受记者采访时透露，拍摄这部纪录片，他和他的摄制组在杓峪村里呆了整整373天：“村里一共有167户人家，我们去了之后是第168户。”而焦波的摄制组，除了他一个人年龄较大（接近60岁），其它四名主创的平均年龄只有20出头：“所以我们这个片子展现的不仅是中国农村的社会现实，而且是站在年轻人的角度去展现的，我相信也会受到年轻人喜欢。”最373天时间里，《乡村里的中国》摄制组和当地村民一起吃、一起住，成了一家人拍摄了近1000个小时的素材，最终剪辑出大约两个小时的精华。曾多次执导央视春晚的金越认为，《乡村里的中国》直观鲜活地呈现了中国农民不同个体的喜怒哀乐、家庭关系和民俗民风，人物形象鲜明生动，影片结构充满张力，故事复杂，线索清晰，画面朴实，剪辑流畅，同期声音录制完美，“是这个时代有记录意义的、不可多得的中国农村生活标本。”
