回复 :A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category; Special Jury Award at the Lubuskie Film Summer in Lagow; 1973 - Special Award for Screenplay at the San Remo Film Festival.
回复 :两个年轻人在一次旅途中迷失了方向,巧的是他俩的名字都名叫“杰瑞”。于是在沙漠里两人开始了寻找归途之旅。在去年圣丹斯电影节上,这部影片让半数以上观众离场。在关于此片的国外评论中最常用到的词是“极端极简主义”。的确,整部片子拥有一句话可以讲完的故事情节,构图简单的超长镜头(全片不超过50个镜头),还有著名现代音乐家,极简主义的代表人物阿沃·帕特的音乐,所有这一切,构成了这部爱之极爱,恨之极恨的作品。
回复 :During the pandemic, the present camp owner is forced to entertain the new buyer then learns of his evil intentions towards the land. In order to stop the sale he has tricks up his sleeve but a zombie uprising was never one of them.