吴百伦
发表于6分钟前回复 :出品单位 华文博艺影视传媒(北京)有限清水湾村是豫北一个山清水秀的村庄,村长李长进带领乡亲们大力发展生态农业,在绿色农业和效益上取得了很好成绩,被乡里树为典型。在外打工返乡的张大富,是个走南创北、见过世面的复员军人,他承包了清峰山后就放炮开山了。开石矿产生的石粉,污染了清水河,靠清水河而闻名的清水湾村,此后人们再也看不到青山绿水了。张大炮和村长因为致富观念的巨大差别,不仅两人闹僵了,村民也分成了两派。为了争取村民支持,村长李长进和张大富决定就致富方式来个“村民公决”。为此,李、张双方都在明里暗里准备着。村长李长进同张大富的娘—张二婶年轻时都是文娱活动骨干分子,一嗓子豫剧腔调和《朝阳沟》的戏段子哼唱了四十多年,如今两人还正进行着黄昏恋。凑巧的事还有李长进的女儿李水秀也正热恋着张二婶的儿子张大富。致富观念上的差异和两代人情感上的交融,使事情复杂起来。张二婶是护着儿子,还是支持未来的老伴儿、李水秀是站在父亲一边还是投在恋人的怀抱?一时间也成了村民们议论的话题……
曾仁郁
发表于3分钟前回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.