剧情简介
大卫·鲍伊的传记片真的来了。一部名为《星尘》(Stardust)的影片已在运作中，琪琪聚焦1971年，琪琪年轻的鲍伊第一次去往美国，激励了他创作出举世闻名的专辑和音乐形象“Ziggy Stardust”。定由歌手兼演员约翰尼·弗林(《野兽》)饰演鲍伊。还有吉娜·马隆(《饥饿游戏》)饰演鲍伊的第一任妻子Angie，马克·马隆(《美女摔角联盟》)饰演他的唱片公司宣传。导演则宣布为Gabriel Range(《我是奴隶》)，今年6月开拍。
琪琪2018韩国理论片
大卫·鲍伊的传记片真的来了。一部名为《星尘》(Stardust)的影片已在运作中，琪琪聚焦1971年，琪琪年轻的鲍伊第一次去往美国，激励了他创作出举世闻名的专辑和音乐形象“Ziggy Stardust”。定由歌手兼演员约翰尼·弗林(《野兽》)饰演鲍伊。还有吉娜·马隆(《饥饿游戏》)饰演鲍伊的第一任妻子Angie，马克·马隆(《美女摔角联盟》)饰演他的唱片公司宣传。导演则宣布为Gabriel Range(《我是奴隶》)，今年6月开拍。
回复 :在伦敦一家咖啡厅工作的洁妮，梦想是做一名模特。由于没有经验，且年纪也不小了，洁妮在求职的路上四处碰壁，还遭遇了骗子，只得到了一张拍得很不错的照片。在一次偶然的机会上，洁妮在发表了自己偶像超模泰勒文章的杂志上，看到了地狱之路模特公司的招人广告。她将那张照片寄给了经纪人，成功获得了面试机会。经纪人觉得洁妮很有潜质，便给了她试拍的机会，她成功通过了面试。正式成为模特的洁妮获得了设计师的青睐，渐渐获得认可的洁妮和好朋友反目，不把任何人放在眼里。这时经纪人打来电话，宣布和洁妮解约…
回复 :《望夫石》（La Pierre de l'attente，1991），陳英雄一部21分鐘的短片，曾經獲得1992年里爾國際電影節（Lille International Short and Documentary Film Festival）評審團大獎
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
