剧情简介
还原纳粹集中营中唯一中国女同性恋的纪录片《妮莉和讷亭》，火红获得第72届柏林电影节最佳泰迪熊纪录片奖。该片主角黄讷亭是在上流社会长大的混血名媛，火红是中国最早的女飞行员和空军上校，也是能力出众的外交官、身手矫健的冰球运动员和风姿绰约的巴黎演员，还曾是女权作家的公开情妇。在法国沦陷后她被抓入集中营成为一名难民，妮莉是她在集中营认识的女友，爱情让两人在无间地狱中幸存下来，并且共度余生。《妮莉和讷亭》用前半生的波澜壮阔和后半生的苍凉平凡，拼凑出一段充满魅力的传奇故事。
火红的日子
还原纳粹集中营中唯一中国女同性恋的纪录片《妮莉和讷亭》，火红获得第72届柏林电影节最佳泰迪熊纪录片奖。该片主角黄讷亭是在上流社会长大的混血名媛，火红是中国最早的女飞行员和空军上校，也是能力出众的外交官、身手矫健的冰球运动员和风姿绰约的巴黎演员，还曾是女权作家的公开情妇。在法国沦陷后她被抓入集中营成为一名难民，妮莉是她在集中营认识的女友，爱情让两人在无间地狱中幸存下来，并且共度余生。《妮莉和讷亭》用前半生的波澜壮阔和后半生的苍凉平凡，拼凑出一段充满魅力的传奇故事。
何欣
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
李民基
回复 :来生泪（藤原纪香 饰）、来生瞳（稻森泉 饰）和来生爱（内田有纪 饰）是情同手足的三姐妹，表面上，三个善良坚强的女孩经营着名为“猫眼”的咖啡馆，而每当夜幕降临之时，她们便会变身成为无所不能的艺术品大盗，将她们所盯上的目标全部神不知鬼不觉的收入囊中。原来，三姐妹的父亲是知名的艺术品收藏家，然而某日，他无故神秘失踪，而那些本该属于三姐妹的名画和珠宝，纷纷流落到了各个美术馆和博物馆之中。为了夺回这些本该属于自己的东西，为了调查父亲失踪的真相，三个靓丽的影子隐匿在夜幕之后。猫眼大盗的所作所为自然引起了警视厅的注意，而负责调查此案的正是小瞳的刑警男友。
回复 :付藏的父亲在付藏很小的时候，因为和他人的纠纷被人杀害，他变得沉默寡言，一日，他遇到一个降头师，那人交给了他降头术。陈东被蛇咬死，引起了警察（郑浩南）的追踪，他们怀疑是养蛇大户卡罗王干的。付藏爱慕卡雨露，一天，他带着一束鲜花到卡罗王家去拜会她，结果被卡雨露的追求者李彬痛打一顿，李彬、方琦（张茜）和卡雨露（李思蓓）三人随后到夜店去唱歌跳舞，活动结束后，卡雨露和李彬支走方琦，两人到公园里打算偷欢，因为尿急，李彬到灌木丛去撒尿，结果被付藏使用降头术驱使毒蛇咬死了。多日之后，是付藏父亲的祭日，他打电话给姑母，请她和姑父到他家来参加祭奠仪式，因为姑父中风，她委派了自己的女儿如梦（钟淑慧）代表参加。警方查到了付藏曾被李彬殴打，来到李彬家里调查，被李彬巧妙地应付过去。一日，付藏带着表妹出去散心，碰到了卡雨露、方琦和她的追求者，付藏再次被“癞皮狗”及其帮手殴打了一顿，回家后，付藏使用降头术来对付他们，使得他们三人都被毒蛇咬死。后来在付藏作法时，不小心被表妹如梦看到，他把如梦用绳子帮了起来。因为多日不见如梦回香港，她的丈夫便到付藏家来找她，也被付藏抓了起来，和其妻子如梦绑在一起。有一天，付藏又在神龛前面作法，把在家的卡雨露勾到了自己家中。趁此良机，如梦催着丈夫解开绳子，两人匆匆跑到警察局报案，警察随后来到付藏家中，将付藏抓获。
