女高中生伊东泉在“RINKAI LEAGUE”——目睹了女子自行车火热比赛后,斗破与同伴们发誓要成为自行车赛车手。她们面临着各种挑战。然后,斗破她遇到了命运般的对手——天才平冢奈奈对自行车竞赛充满热情,一心挣扎的女孩们的激情故事(比赛)在这里开幕!
女高中生伊东泉在“RINKAI LEAGUE”——目睹了女子自行车火热比赛后,斗破与同伴们发誓要成为自行车赛车手。她们面临着各种挑战。然后,斗破她遇到了命运般的对手——天才平冢奈奈对自行车竞赛充满热情,一心挣扎的女孩们的激情故事(比赛)在这里开幕!
回复 :导演 Ricardo Gomes 执导,收录玛丹娜2019年到2020年一系列巡演的影像纪录,包含48位随行表演者,其中有她的小孩、来自世界各地的舞者和音乐家,还有来自葡萄牙、以鼓演奏音乐的全女子团体 Orquestra Batukadeiras 等,当然还有 Madonna 魅力四射的精彩演出片段。
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
回复 :由韦伯亲自监制的音乐剧DVD作品目前只有三部,它们分别是《猫》、《万世巨星》和这部《约瑟夫与神奇彩衣》。该剧是韦伯的处女作,1968年起在伦敦上演,当时韦伯仅仅20岁。正是这部戏开始了韦伯的音乐剧传奇。约瑟夫的故事完全取材于《圣经创世纪》,讲述受父亲特别宠爱的约瑟夫被他十一个兄弟嫉妒、出卖到埃及,最终衣锦还乡,手足交好的故事。饰演男主角约瑟夫的是70年代青春偶像唐尼奥斯门(Donny Osmond),奥斯门原先是摇滚歌手,在事业举步维艰之时加入韦伯王国而重获新生(他在《韦伯50周年音乐会》中也曾出场)。他在该剧中演唱的《无路可走》(Close Every Door to Me)逼真地刻画了约瑟夫被陷害后的心情,十分苍凉感人。该剧布景豪华,歌舞场面目不暇接,音乐元素十分丰富,是一部老少咸宜的剧目。