莎拉（布莱特妮•墨菲 Brittany Murphy 饰）出身豪门，日本天生叛逆的她从来不想接受父母的安排：日本家人安排的高薪厚职她不屑一顾，反而当起了一名作家；对于他们安排的富有的“未来女婿”，她更是深恶痛绝。这天，莎拉偶遇了出身平凡的交通报道员汤姆（艾什顿•库彻 Ashton Kutcher 饰），两人很快堕入了爱河。然而莎拉的父母坚决反对，原因很简单，汤姆出身平民，平平无奇，这和他们心目中的乘龙快婿相去甚远，他们可不想这个平凡的男人成为家里的一份子。于是，在萨拉和汤姆婚后度蜜月时，一场旨在拆散这对小夫妻的闹剧上演了。加上两人出身的文化差异，萨拉和汤姆能否在新婚告急时共渡难关？
拾音社
回复 :Though several actors portray Elvis Presley at different stages of his life, this documentary is comprised mostly of actual performance footage and interviews with Elvis, his fans and those close to him. His arrival on the national scene ,in 1956, is highlighted by clips from "Stage Show", "The Milton Berle Show" and "The Ed Sullivan Show". Scenes from several of his 33 films are highlighted including his screen debut in "Love Me Tender" (1956) and the critically acclaimed "King "Creole"(1958), his last film prior to a 2 year hitch in the military. From 1960-68 he kept busy by making films and soundtrack albums, as well as some Gospal albums. After an absence of almost 9 years from live performing, Elvis returned in 1968 to do a TV Special titled "Elvis" and in 1969 performed in Las Vegas for the first time since 1956. His Vegas appearances, along with his nation wide concert tours, continued for the remainder of his career. A clip from his 1973 TV Special,"Elvis Aloa", is featured. Telecast from Hawaii, it was the first concert to be televised live by satellite around the world.We also see footage from his last TV Special, "Elvis in Concert", which was taken from his final 1977 tour
克里斯泰尔盖尔
回复 :柴可利（David Gunn 饰）是从十九世纪起就生活在东欧的吸血鬼，曾经，柴可利有一个深爱的恋人，然而，这个女人却被仇视他的吸血鬼同类给杀害了。数百年来，柴可利一直都在寻找着给爱人报仇的机会，如今，他得到消息，他的仇人现身在美国，这里便是他的下一站。在美国，柴可利邂逅了名为索菲亚（Kirsten Cerre 饰）的女孩，索菲亚让他想起了自己早逝的恋人，内心泛起涟漪，与此同时，柴可利的仇人们也盯上了索菲亚，他们想将这个纯洁的女孩变成他们的同类。为了保护索菲亚免受侵害，柴可利只身一人前往敌人的巢穴，在那里等待着他的，是名为艾仕的僵尸吸血鬼。
回复 :1961年9月18日，时任联合国秘书长达格·哈马舍尔德 (Dag Hammarskjöld) 遭遇离奇空难身亡，鉴于其不顾欧洲势力支持刚果独立的立场，他的死被认为并非意外所致。半个多世纪后的今天，丹麦记者兼电影制作人麦斯·布鲁格 (Mads Brügger) 与其瑞典私人侦探搭档约兰·比约克达尔 (Göran Björkdahl) 一道，试图厘清这起陈年冷案的千头万绪，却发现更多谜团，而这背后似乎有着超乎想象的大新闻……在其标志性的政宣鼓动 (agitprop) 风格之下，制作纪录片的布鲁格同时成为自己的记录对象，通过“表演”真理探求者一角来挑战真相的本质——有时正是荒谬与讽刺给予我们直面险恶的勇气。
