剧情简介
秀兰在《曼德勒》中，远古与凯·弗朗西斯和里卡多·柯兹一起乘坐一列丛林蒸汽火车，走马灯似地露了一面。
远古巨兽：狼蜥兽
秀兰在《曼德勒》中，远古与凯·弗朗西斯和里卡多·柯兹一起乘坐一列丛林蒸汽火车，走马灯似地露了一面。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :1977年的伦敦郊区，三个痴迷庞克音乐的男孩，整日游荡街头、耍废装酷。某日得知当地的庞克精神领袖要举办派对，青春生涩的男孩们决定闯入把妹，没想到却误入外星人派对。撩妹不成，反而对外星女孩一见锺情，为了展现地球人的大爱，一场四十八小时的地球庞克体验之旅也就此展开！本片改编自奇幻小说家尼尔盖曼的同名短篇故事，曾以《摇滚芭比》风靡影乐坛的导演约翰卡麦隆米契尔，巧妙结合宅男把妹与外星人报到的喜剧元素，并添入庞克音乐与叛逆精神，找来妮可基嫚变身银髮爆炸头庞克教母，嘶吼呐喊摇滚不死；饰演外星女孩的艾儿芬妮，则是从乖巧天真，摇身一变为性感烟燻庞克妹，在迷幻怪诞的影像风格中，与潜力新人亚历克斯夏普，谱出一段诡谲浪漫的恋情。
申承勋
回复 :碧生与碧琪为朝街私钟妹,感情甚笃,合称朝街双Big。因生欠下赌款，琪请其男友龙代出头，与西洋仔结怨，后琪被西洋仔掳走，生、龙为寻回琪，出生入死，渐生情愫，琪被救回后，发现生、龙关系，与生渐疏远。另方面，生结识老差骨麦Sir，成为好友，麦Sir更对生存有父女间的情义。麦Sir数度追捕龙，均被上司靓Sir阻止，却原来龙乃卧底，直属于靓Sir，后靓Sir被西洋仔所杀，龙被麦Sir苦苦追缉，无从证实自己身份。西洋仔因私窦被捣，掳走麦Sir儿子小杰，逼麦Sir替其杀死龙，危急中，困于麻袋中的生脱缚扑出，一个血人扑向西洋仔……
