《爱情日记》讲述的是酒吧美女老板唐菲菲（周韦彤饰），一场意外夺走了她的父母和弟eee。这场意外发生在弟弟去往偶像歌手李金泽（李祥祥饰）演唱会的路上，她也将这场意外归咎于李金泽。她的生活一度跌入低谷，为了完成爸妈的遗愿，她坚强地支撑着酒吧。而在酒吧驻场的歌手杜翔（马海生饰）对菲菲一见钟情，一直默默地守在她的身边。菲菲深知他的心意，早已被他感动。但因她有不得已的苦衷，屡次拒绝他的心意，还极力促进他去国外发展。与此同时，李金泽回到国内发展，为了弥补菲菲来到酒吧驻唱，他渐渐也喜欢上了这个特别的女孩，对她展开了热烈的攻势。他们几人同时陷进了爱与被爱的感情漩涡，在这偌大的城市，共同演绎着治愈暖心的爱情故事。
回复 :莫林，一位在巴黎的年轻美国女孩，她的工作是替一位有名的女士照看衣橱。她讨厌这份工作，却找不到更好的来负担她在巴黎的开销。她等待着，等待着关于她最近消失的双胞胎兄弟——刘易斯的消息。而她的手机突然开始收到一些陌生的匿名消息。
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 : 腾讯视频出品《独孤天下番外异瞳》 出品公司:腾讯视频、品像文化
