剧情简介
《朴烈》讲述了韩国独立运动家朴烈坎坷曲折的一生，无敌演员李帝勋将在剧中扮演朴烈一角。朴烈作为无政府主义独立运动家，无敌在日本殖民时期正面对抗日本内阁，震动日本政坛。
无敌当家3
《朴烈》讲述了韩国独立运动家朴烈坎坷曲折的一生，无敌演员李帝勋将在剧中扮演朴烈一角。朴烈作为无政府主义独立运动家，无敌在日本殖民时期正面对抗日本内阁，震动日本政坛。
孙益程
回复 :
回复 :故事发生在1952年，越南局势紧张，动乱和战争一触即发。艾登（布兰登·费舍 Brendan Fraser 饰）是由美国援助组织派往越南的工作人员，目睹了越南发生的种种，艾登满腹热忱，希望自己能够在这里大干一番，之后，艾登结识了名叫托马斯（迈克尔·凯恩 Michael Caine 饰）的男子，他是伦敦时报的特派员，十分了解当地的情况。一次偶然中，艾登见到了托马斯的越南情妇凤（杜海严 饰），很快，艾登就被凤身上所散发出来的神秘气息所吸引，他不可自持地爱上了凤。就这样，艾登、托马斯和凤之间交织出了一段充满了激情而又摇摇欲坠的三角关系，一场凶杀案的发生让这段关系慢慢地濒临崩塌的边缘。
温力铭
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
