有一个星球叫做土豆星，舅舅土豆星上的人长的和地球人大体相似，舅舅土豆是唯一的食物，但是年产量每况愈下，国王薯革十分困惑，但土豆星探索到地球中国土豆岛为全宇宙土豆最优质星球，但一直未能与地球建立联系一架酷似金杯车的飞船误降落在土豆岛，土豆星国王走下飞船，被正在与村长调情的土豆岛书记老婆岚岚发现，将其逮捕。岚岚得知消息，希望包哥偷走外星人卖个好价钱并带自己离岛。村长为了记录外星人的点点滴滴召回做网剧导演儿子土鹏回岛拍摄纪录片。刘童通过包哥得知外星人错降土豆岛，几方势力一同登岛，准备坑蒙拐骗外星人。最终善良的刘童依靠自己的机智勇敢成功帮外星人得到了土豆，并且跟着外星人一起去了土豆星。
回复 :在酒店做服务生的王大站被跟了富二代阿豪的前女友媛媛甩了，在与美女领导琳琳采购回到酒店时，遇上阿豪追琳琳不成时打了琳琳，并要挟价值百万的名画做分手费，王大站也与阿豪起了冲突，阿豪吃亏后让他们走着瞧。王大站在一次见义勇为后被琳琳爱上，并很快被拿下。怀恨在心的阿豪逼着媛媛灌醉崔催，并在酒店给崔催下了迷药，引诱崔催入套为其做事：捣乱大站和琳琳所在的酒店；又逼崔催和毛毛以高仿画去换酒店的名画，结果又把似画挽回，阿豪便实施绑架勒索琳琳父亲张洪，而被甩的媛媛决心再把大站夺回来…
李小璐
回复 :勇敢善战雷神托尔（克里斯•海姆斯沃斯 Chris Hemsworth 饰），作为永恒境界阿斯加德的王位继承人，受人敬仰。然而由于一次鲁莽的行动，险些挑起一场古老的战争，因此被父亲天神奥丁（安东尼•霍普金斯 Anthony Hopkins 饰）流放到人间。托尔在人间认识了 美丽的女科学家珍•福斯特（娜塔莉•波特曼 Natalie Portman 饰）和她的工作伙伴，在他们的帮助下，托尔找到了和自己一起被贬的雷神之锤，但此时的雷神之锤并不属于他。此间，托尔的弟弟洛基为了成为阿斯加德的王，居然联合寒冰巨人，企图在永恒境界掀起一场腥风血雨。为了维持永恒之界的法度，托尔的四位朋友也来到人间，他们决定带托尔返回永恒之境。此时，为了阻止雷神重归永恒境界，洛基派出巨人杀死托尔。丧失能力和法战的托尔为了保护无辜的人类与自己的朋友，献出了自己的生命。托尔的死打破了天神的的咒语，托尔复活并重获雷神之力战胜巨人。此时，天神生命危在旦夕，托尔必须与自己的朋友们重返永恒之界，维护那里的法度……本片改编自传奇漫画家搭档斯坦•李（Stan Lee）和杰克•科比（Jack Kirby）于1962年推出《雷神》连载漫画。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
