剧情简介
20世纪初，天天德国人乌斯坦因非法改造人类基因被判入狱出狱后在中国替邪恶势力谋取利益。其中有几人能力最大。黑田次郎拥有闪现的能力，天天蝴蝶拥有分身的能力，尹娜拥有身体自愈的能力。尹雪因屡屡执行重要的任务，遭到蝴蝶的嫉妒。尹娜将被作为新的试验品，姐姐尹雪带她逃离了组织，乌斯坦最终找到了她们，试图杀掉尹雪，夺回尹娜。
天天看高清影视苹果手机版
20世纪初，天天德国人乌斯坦因非法改造人类基因被判入狱出狱后在中国替邪恶势力谋取利益。其中有几人能力最大。黑田次郎拥有闪现的能力，天天蝴蝶拥有分身的能力，尹娜拥有身体自愈的能力。尹雪因屡屡执行重要的任务，遭到蝴蝶的嫉妒。尹娜将被作为新的试验品，姐姐尹雪带她逃离了组织，乌斯坦最终找到了她们，试图杀掉尹雪，夺回尹娜。
四季乐队
回复 :保安林霄峰和他的两兄弟因为太爱管闲事被千山景区保安队开除，沮丧之际他们接受到了一项特殊的任务，保护珍宝馆一个价值连城的古董花瓶，没料想在一场反窃演习中招来了真贼，花瓶被盗，三人为了找回花瓶脑洞大开，啼笑皆非，他们想出了一个“引蛇出洞”的方法——用更为贵重的镇店之宝引诱盗贼，结果镇店之宝也离奇丢失，在寻找盗贼追回宝物的过程中，珍宝馆馆长的女儿被绑，林霄峰因为愧疚孤身犯险，与盗贼展开了殊死搏斗！然而，这一切的幕后真相却令人始料未及……
回复 :在第三次世界大战期间，美国政府发起了一个秘密的项目代号为“陆军培根”，以创造超级士兵近交人与猪。25年后，一种叫做“枪口”已经占据食物链的顶端，吃和人类饲养动物一样。罗布正义是一个前赏金猎人工作的最后一行人类抵抗-一组幸存者躲藏在核掩体深处地下。他的任务是找出枪口上台并消灭他们。
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
