国产午夜
地区:日韩
  类型:韩国
  时间:2025-07-17 16:03:02
剧情简介

导 演张艺耀编 剧阿曼主 演陆诗雨、国产冯舒玉、国产陈旭片 种故事片类 型剧情出品单位北京飞天铭影视文化传播有限公司长 度86分钟出品年代2008剧情简介才从警校毕业的陈冬,被分到仅配备三名警员的法华寺风景旅游区派出所当民警,他的理想是当一名刑警,由于理想和现实相冲突,他对平凡的工作不安心。陈冬外出巡逻,在海边的风景点“舍身崖”处发现一十八岁的少女要跳崖,陈冬将轻生的少女救下带回派出所。少女怀孕,所长推测跳崖原因可能是感情问题,派出所轮番做思想工作,可少女拒不说出住址身份。陈冬只好从少女的手机入手,通过号码查到了她的家庭地址。于是,所长派陈冬护送少女回原籍……不料,中途由于一路颠簸,少女出现早产迹象。陈冬无奈,只好把少女送进医院。少女顺利产下婴儿,却撇下了孩子不知去向。在当地公安局协助下,陈冬查出少女手机登记用的假名,住址地已经拆迁。线索断了,陈冬只好抱着婴儿回到派出所。所长虽极不愿意,也不得不接受这个婴儿。人海茫茫,寻找少女的工作如大海捞针,迟迟无果,派出所不得不承担起养育婴儿的任务。少女再次来海边“舍身崖”寻死,接到报警,陈冬又一次将少女救下,这次,连寺庙的和尚都惊动了,通过大家的说服教育,少女终于说出了跳崖的前因后果。少女的真名叫于小娜,是高三学生,跟同班男生早恋。于小娜父母离异,母亲一直带着女儿生活。得知女儿早恋早孕的情况,母亲大为恼怒。此时正值期末考试,望女成龙心切的母亲一方面向校方极力隐瞒真相,一方面寸步不离坚守着女儿,逆反心极强的于小娜最终在考场逃离了母亲的桎梏……陈冬再次护送于小娜回家,找到她的母亲。没想到于母觉得女儿给自己丢脸,所作所为大逆不道,她不仅不认于小娜,还不让女儿踏进家门一步。性格倔强的于小娜又一次离家出走……陈冬完成任务,正准备打道回府,得知于小娜第三次去“舍身崖”,陈冬害怕于小娜再次轻生,立即和于母一起赶回驻地派出所。派出所人手少,所长动员寺庙的和尚把守各个风景点,一定要寻找到于小娜的下落。寻找了整整一夜,于小娜仍下落不明,正在陈冬绝望之时,寺庙的和尚在大殿里找到了于小娜。陈冬经过漫长而耐心的说服工作,于小娜终于打开了心结,放弃了自杀打算。同时,于小娜还第一次真正认识到——自己已经长大成人了,成年人就要为自己所作所为负责任,并且勇敢去承担后果。于小娜决心重新去面对生活中会有的风风雨雨。母女俩抱头痛哭,重归于好。

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明星主演
吴婉芳
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最新评论(244+)

詹雅云

发表于9分钟前

回复 :精通化装术、善于模仿各类型人物的聪明人葛亮(姜大卫饰)是一江湖奇人,为人正义,行走江湖时经常行侠仗义,游戏人间!青年镖师曾勇(李修贤饰)、曾敢(王钟饰)兄弟押镖期间遭到山匪劫镖,损失三万大洋,其后曾勇被保安队捕往监狱,屈打成招,控以劫杀罪行。曾敢不忍其兄被冤枉,于是前往找葛亮帮忙,葛亮以不同身份侦查,得悉案件与保安队长罗金英(陈观泰饰)、土匪高野(史仲田饰)和土豪黄雄生(佟林饰)有关,是他们设圈套让曾勇作替死鬼,独吞三万大洋。于是,葛亮使计将罗、高、黄三人绳之于法,还曾氏兄弟一个清白。《七面人》是一部侠义奇情电影,卖点就在主角姜大卫一人分饰多角,他千变万化的造型让人眼界大开。本片由鲍学礼导演,他是江苏人,1936年出生于南京,1949年到台湾,年青时半时半工半读,日间在三极高工上课,晚上在台湾电影制片厂印片间工作,毕业后在台制工作六年,助理摄影...


辰伶

发表于9分钟前

回复 :Amra is growing up in the Mongolian steppe between herds of goats and YouTube videos. His hopes and dreams revolve around someday performing onstage in Mongolia's Got Talent. However, the fight against the exploitation by gold mining companies and the campaign for a viable environment soon challenge the boy's eclectic talents.


刘维

发表于7分钟前

回复 :转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich


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