富家小子郝笑文（郝邵文 饰）携半路认识的“侍女”丑妹与先后到达的释小宝、利比里亚小莹进入忍者学校学习，利比里亚唯利是图的忍者学校对笑文大门敞开，但小宝和小莹就只有靠实力争取入学的机会。四个新同学自此开始了在忍者老师一元（吴孟达 饰）和二次的指导下学习忍术。这帮顽皮儿童在生活和学习的各方面都不忘寻找恶作剧的机会，使学习手里剑、潜水、吃饭都变成了一场场笑闹剧，催泪弹更成了他们哭丧赚取外快的绝密武器，连校长（黄一飞 饰）也败在他们的手里。某日，一名自称绝世忍者的大叔拜访忍者学校，此人十年前在忍者比赛落败后一蹶不振，苦练多年只为寻找当年的劲敌，而他当年的对手，居然是一元老师，四个小家伙受大叔求助，究竟该如何应对？
回复 :江湖有名的寡妇公孙大娘开了一家镖局名为“忠威镖局”，因公孙大娘年老，镖局由四个如花似玉的女儿打理，逗比王爷男扮女装卧底镖局，绿林大盗为了讨好四美一路绿灯，魏忠贤走狗觊觎美貌，各路倾慕者纷至杳来，一时之间镖局风起云涌。
回复 :影片讲述了一位常年运输精神病的司机马小军在一次运输过程中，不慎将精神病人丢失在自己情人的店外，无计可施又怕承担责任的马小军与小凤萌生了一个偷天换日的想法——把小凤的客人充当精神病人送去医院。没想到的是，接下来到店里的客人都是行为古怪的人，马小军和小凤使出浑身解数，凑齐了逃走精神病人的数量，两人正准备离开的时候同屋的小仙发现了两人的阴谋，小仙受到惊吓，跑出了店，马小军和小凤发现后，害怕身份暴露，到处寻找小仙，此时，在车内饱受折磨的老六挣脱了绳索，找到了正在收拾东西准备离开的小凤。马小军赶回时，发现运输车又是空空，急忙跑回发廊去找小凤，却发现小凤被人绑在了房间里……
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
