马须仁(梁朝伟 饰)专门为上市公司提供重组合并方案，青春是一个年轻有为的钻石王老五；但他的为人却十分刻薄吝啬，青春女友为了报复将他的信用卡及银行支票全部挂失，恰巧又遇上公众假期，银行都停业了，他突然之间变成了身无分文的“穷人”。这时，马须仁邂逅亚彩(舒淇 饰)，更在亚彩面前大出洋相，笑话百出。亚彩以为他假装扮成有钱人，于是劝马须仁应当脚踏实地做人，两日在交往中渐渐坠入爱河。亚彩由于父亲炮仗叔(黄一飞 饰)逼她嫁给乡长之子，无奈下向父亲辩称已跟一个富家子弟相恋，并安排马须仁与父亲见面。本来就是有钱人的马须仁表现得游刃有余，但他的真正身份终给亚彩揭破，亚彩认为他是故意玩弄他，一怒之下出走了……
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
回复 : 苗伟（江国斌饰）替继父顶罪入狱，在牢房内受尽屈辱，每夜只有幻想与自己从小青梅竹马的恋人温妮（徐若瑄饰）亲热来慰藉痛苦。苗伟出狱后，靠打散工为生，去找温妮重叙旧好，却发现她已有了未婚夫乔治。一日在party上温妮见乔治谈兴正浓，于是就叫苗伟先送自己回家。二人开车在山上玩耍，回家后却见愤怒的乔治兴师问罪，认定二人有私情。温妮与乔治争执后分手，遂与苗伟结婚。婚后二人很幸福，然而苗伟却因为狱中过多的屈辱与性幻想而导致现实中无法与温妮正常接触，二人开始出现隔阂。心烦意乱的苗伟于是去找旧情人玲姐满足生理需要，而这个秘密在一个雨夜被温妮偷偷查到.....
裘盛戎
回复 :张峰从小便爱好足球，历经坎坷终于成为炙手可热的足球明星。因为拒绝了俱乐部领导给巨额资金让踢假球被迫离队，备受人们的冷眼和鄙视，落入惨淡的人生低谷。后俱乐部被张峰同学舒平的父亲收购，足坛打黑后新领导班子砥砺奋进，国人大快人心，重新燃起了对中国足球的希望。张峰重新加盟俱乐部，和队友们众志成城，顽强拼搏，最终取得了世纪杯足球联赛冠军。苦尽甘来，我国足球事业的发展取得长足的进步。中央全面深化改革领导小组第十次会议审议通过了《中国足球改革总体方案》，中国足球抛弃了以往的功利，足球从娃娃抓起不再是一句口号，校园足球搞起来了，青训体系也建立起来了，广大人民群众特别是青少年儿童充分享受足球带给他们的乐趣，中国足球乘上了改革的红利。
